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But growing up in Chicago as the son of Irish immigrants, Michael did not show early promise. He played an old wooden flute, he fought in the schoolyard and in tournaments, and he helped his father dig ditches. After winning virtually every major American Irish dancing competition, Michael went on to become the first American ever to win the All-World Irish Dancing Championship, catching the attention of some producers who were looking for step-dancing performers for their upcoming televised song contest.

And Uzzah and Ahio, the sons of Abinadab, were driving the new cart, with the ark of God, and Ahio went before the ark. So as to walk in a manner worthy of the Lord, fully pleasing to him, bearing fruit in every good work and increasing in the knowledge of God.

Of David. Bless the Lord , O my soul, and all that is within me, bless his holy name! Worship the Lord in the splendor of holiness; tremble before him, all the earth! The priests stood at their posts; the Levites also, with the instruments for music to the Lord that King David had made for giving thanks to the Lord —for his steadfast love endures forever—whenever David offered praises by their ministry; opposite them the priests sounded trumpets, and all Israel stood.

Praise the Lord from the heavens; praise him in the heights! A Psalm for giving thanks. Make a joyful noise to the Lord , all the earth! Serve the Lord with gladness! Come into his presence with singing! Know that the Lord , he is God! It is he who made us, and we are his; we are his people, and the sheep of his pasture.

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Enter his gates with thanksgiving, and his courts with praise! Give thanks to him; bless his name! For the Lord is good; his steadfast love endures forever, and his faithfulness to all generations. Give thanks to the Lord with the lyre; make melody to him with the harp of ten strings! But I will sing of your strength; I will sing aloud of your steadfast love in the morning. For you have been to me a fortress and a refuge in the day of my distress.


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I appeal to you therefore, brothers, by the mercies of God, to present your bodies as a living sacrifice, holy and acceptable to God, which is your spiritual worship. All the earth worships you and sings praises to you; they sing praises to your name. My lips will shout for joy, when I sing praises to you; my soul also, which you have redeemed. Sing praises to the Lord , O you his saints, and give thanks to his holy name. For everything there is a season, and a time for every matter under heaven: a time to be born, and a time to die; a time to plant, and a time to pluck up what is planted; a time to kill, and a time to heal; a time to break down, and a time to build up; a time to weep, and a time to laugh; a time to mourn, and a time to dance;.

Finally, brothers, whatever is true, whatever is honorable, whatever is just, whatever is pure, whatever is lovely, whatever is commendable, if there is any excellence, if there is anything worthy of praise, think about these things. I give you thanks, O Lord , with my whole heart; before the gods I sing your praise;.

Oh sing to the Lord a new song; sing to the Lord , all the earth! Sing to the Lord , bless his name; tell of his salvation from day to day. Declare his glory among the nations, his marvelous works among all the peoples! For great is the Lord , and greatly to be praised; he is to be feared above all gods. For all the gods of the peoples are worthless idols, but the Lord made the heavens. Then they went and returned to their inheritance and rebuilt the towns and lived in them. With my mouth I will give great thanks to the Lord ; I will praise him in the midst of the throng.

Praise, O servants of the Lord , praise the name of the Lord! I will give thanks to the Lord with my whole heart, in the company of the upright, in the congregation. A Psalm. A Song for the Sabbath. It is good to give thanks to the Lord , to sing praises to your name, O Most High;. For everything there is a season, and a time for every matter under heaven: a time to be born, and a time to die; a time to plant, and a time to pluck up what is planted; a time to kill, and a time to heal; a time to break down, and a time to build up; a time to weep, and a time to laugh; a time to mourn, and a time to dance; a time to cast away stones, and a time to gather stones together; a time to embrace, and a time to refrain from embracing; In essence, the Lasya and the Tandava are just two aspects of Shiva's nature; for he destroys in order to create, tearing down to build again.


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According to Alice Boner, the historic Nataraja artworks found in different parts of India are set in geometric patterns and along symmetric lines, particularly the satkona mandala hexagram that in the Indian tradition means the interdependence and fusion of masculine and feminine principles. As the Lord of Dance, Nataraja, Shiva performs the Ananda Tandava dance of bliss , the dance in which the universe is created, maintained, and dissolved.

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The symbolism in the art has been variously interpreted by scholars since the Chola empire era: [6] [15] [28]. The above interpretations of symbolism are largely based on historic Indian texts published in and after 12th-century, such as Unmai Vilakkam , Mummani Kovai , Tirukuttu Darshana and Tiruvatavurar Puranam. An essential significance of Shiva's dance at Tillai, the traditional name of Chidambaram , can be explained as: [34]. Nataraja, states James Lochtefeld, symbolizes "the connection between religion and the arts", and it represents Shiva as the lord of dance, encompassing all "creation, destruction and all things in between".

Nataraja is a significant visual interpretation of Brahman and a dance posture of Shiva.

Dancing on the Feet of God

The details in the Nataraja artwork has attracted commentaries and secondary literature such as poems detailing its theological significance. One of the earliest known Nataraja artworks has been found in the archaeological site at Asanapat village in Odisha , which includes an inscription, and is dated to about the 6th century CE.

Literary evidences shows that the bronze representation of Shiva's ananda- tandava appeared first in the Pallava period between 7th century and mid-9th centuries CE.

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Stone reliefs depicting the classical form of Nataraja are found in numerous cave temples of India, such as the Ellora Caves Maharashtra , the Elephanta Caves , and the Badami Caves Karnataka , by around the 6th-century. The oldest three-dimensional stone sculptures of Nataraja were built by Chola queen Sembiyan Mahadevi.

The dancing Shiva became a part of Chola era processions and religious festivals, a practice that continued thereafter. The depiction was informed of cosmic or metaphysical connotations is also argued on the basis of the testimony of the hymns of Tamil saints. The largest Nataraja statue is in Neyveli , in Tamil Nadu. The statue, symbolizing Shiva's cosmic dance of creation and destruction, was given to CERN by the Indian government to celebrate the research center's long association with India. Hundreds of years ago, Indian artists created visual images of dancing Shivas in a beautiful series of bronzes.


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  5. In our time, physicists have used the most advanced technology to portray the patterns of the cosmic dance. The metaphor of the cosmic dance thus unifies ancient mythology, religious art and modern physics. Though named "Nataraja bronzes" in Western literature, the Chola Nataraja artworks are mostly in copper, and a few are in brass, typically cast by the cire-perdue lost-wax casting process.

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    A damaged 6th-century Nataraja, Elephanta Caves [52]. Sukanasa with Shiva Nataraja in Pattadakal. In the Shiva temple of Melakadambur is a rare Pala image that shows the ten-armed Nataraja dancing on his bull. In modern yoga as exercise , Natarajasana is a posture resembling Nataraja and named for him in the 20th century. Nataraja pose in Bharatanatyam classical Indian dance.

    Natarajasana in modern yoga as exercise. From Wikipedia, the free encyclopedia. Hindu God Shiva depicted as Lord of Dance. For other uses, see Nataraj disambiguation. Scriptures and texts.